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Gregg Fuhriman Glen Frazer West Switch
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Gregg Fuhriman Glen Frazer Design
Gregg Fuhriman Glen Frazer East Switch
Gregg Fuhriman Glen Frazer Design
ATSF 298993 Ft-93 10-pack Fuel Foiler Spine Car
FINISHED MODEL

My 10-pack Fuel Foiler is based on prototype photos of car 298993 I took at Glen Frazer siding in May 1993.
It replicates, as closely as I could, the simplified brake rigging and heavy weathering of a well-used car.

For clarity, the order of units is, from the brake end:
B-C-D-E-F-G-H-I-J-A
As with all freight cars, when facing the brake end with the brake wheel,
the car's "left side" is on your left and its "right side" is on your right.
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Below: The B, or brake, end has the brake wheel, which was angled on the prototype for a lower profile
to reduce accidental damage when loading trailers. I used Plano Models #152 etched metal walkways,
and a Hi-Tech Details rubber air hose. The simple cut lever is brass wire. I also added straight grabs.
Below: I weathered all units using a similar process after a spray of Dull Cote to lock down the decals. For rust streaks, I used a toothpick to dab on tiny dots
of "Burnt Umber" artist's oil paint, and used a flat brush dipped in mineral spirits to drag the dots downward creating a rust streak. For the splattery road grime
effects, I used "Payne's Gray" (a very dark shade of gray, almost black) artist's oil paint, diluted with mineral spirits. Using a fine-bristled flat brush and a
toothpick, I "flicked" this onto the model in the areas where splatters appeared on the prototype (e.g. the sides of the centersills). Next, I used a stiff flat-ended
brush to stipple on a mix of weathering powders - PanPastel "Raw Umber" for road dust plus various shades of rust. The powders stuck to the splatters for
concentrated grime, and spread out for a more dusty effect where there were no splatters. In areas where I wanted a heavier effect, such as the platforms
worn by trailer wheels shifting around, I first applied a thin layer of the diluted "Payne's Gray" to represent weathered steel showing through the white paint,
followed by stippled rust-colored powders which stuck in the artist's oil to build up a heavily rusted area. An overspray of Dull Cote locked everything in place.
Below: A close-up of the C-unit right side details. See the Construction page for build description.
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